@inproceedings{correia_user-centered_2014,

title = {User-Centered Design of a Tool for Interactive Computer-Generated Audiovisuals},

author = {Nuno N. Correia and Atau Tanaka},

url = {https://users.sussex.ac.uk/~thm21/ICLI_proceedings/ICLI-2014-Proceedings.pdf},

year  = {2014},

date = {2014-01-01},

urldate = {2021-06-01},

booktitle = {Proc. 2nd ICLI},

pages = {1--14},

publisher = {ICLI},

address = {Lisbon},

abstract = {The present study aims to design a tool for interactive computer-gen- erated audiovisuals. In this paper, we investigate if the tools for audio- visual performance and composition have caught up with the growing interest and the practices in the field. We have adopted a user-centered design approach for our study, based on interviews and a workshop with practitioners. The interviews identified key themes – expressivity, ease of use and connection with the audience – that were explored in the workshop. During the workshop, a novel methodology was adopt- ed – reboot – which expands upon the bootlegging technique. Key ide- as regarding audiovisual performance gathered from the interviews; sketches for novel audiovisual tools resulting from the workshop; and the reboot technique, are the main contributions of this study.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{correia_web_2014,

title = {Web Browser as Platform for Audiovisual Performances},

author = {Nuno N. Correia and Jari Kleimola},

url = {http://dl.acm.org/citation.cfm?id=2663854},

year  = {2014},

date = {2014-01-01},

urldate = {2015-05-29},

booktitle = {Proceedings of 11th Conference on Advances in Computer Entertainment Technology (ACE)},

publisher = {ACM Press},

address = {Funchal},

note = {Proceedings of the 11th International Conference on Advances in Computer Entertainment Technology (ACE)},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{correia_pesi:_2013,

title = {PESI: Extending Mobile Music Instruments with Social Interaction},

author = {Nuno N. Correia and Koray Tahiroğlu and Miguel Espada},

url = {http://www.tei-conf.org/13/sites/default/files/page-files/Correia.pdf},

year  = {2013},

date = {2013-01-01},

urldate = {2014-06-02},

booktitle = {Seventh International Conference on Tangible, Embedded and Embodied Interaction (TEI), Work in Progress},

address = {Barcelona},

abstract = {This paper presents the research project The Notion of 

Participative and Enacting Sonic Interaction (PESI). 

PESI aims to extend the engagement of performers in 

collective music practices using embodied approaches 

in physical and social interaction. In its design, the 

mobile phone functions as a tangible and expressive 

musical instrument, together with an extended system. 

In this paper, we contextualize the project with 

associated themes – physical, spatial and social 

interaction – and with related works. We also present 

the modular structure of the project, evaluation 

methods, initial conclusions and paths for future 

developments.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{tahiroglu_pesi_2013,

title = {PESI Extended System: In Space, On Body, with 3 Musicians},

author = {Koray Tahiroğlu and Nuno N. Correia and Miguel Espada},

url = {https://zenodo.org/record/1178666#.X47yfS9Q1MA},

year  = {2013},

date = {2013-01-01},

urldate = {2020-10-20},

booktitle = {Proceedings of New Interfaces for Musical Expression (NIME)},

pages = {35--40},

publisher = {NIME},

address = {Daejeon, Seoul},

abstract = {This paper introduces a novel collaborative environment (PESI) in which performers are not only free to move and interact with each other but where their social interactions contribute to the sonic outcome. PESI system is designed for co-located collaboration and provides embodied and spatial opportunities for musical exploration. To evaluate PESI with skilled musicians, a user-test jam session was conducted. Musicians’ comments indicate that the system facilitates group interaction finely to bring up further intentions to musical ideas. PESI can shift the collaborative music activity to a more engaging and active experience.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{correia_paths_2012,

title = {Paths in Interactive Sound Visualization: From AVOL to AV Clash},

author = {Nuno N. Correia},

url = {http://www.smcnetwork.org/node/1710},

year  = {2012},

date = {2012-01-01},

urldate = {2012-11-19},

booktitle = {Proceedings of Sound and Music Computing Conference 2012},

pages = {326--332},

address = {Copenhagen},

abstract = {This paper compares two multimodal net art projects, AVOL and AV Clash, by the author and André Carrilho (under the name Video Jack). Their objective is to create projects enabling integrated audiovisual expression that are flexible, easy to use, playful and engaging to experience. The projects are contextualized with related works. The methodology for the research is presented, with an emphasis on experience-focused Human-Computer Interaction (HCI) perspectives. The comparative evaluation of the projects focuses on the analysis of the answers to an online questionnaire. AVOL and AV Clash have adopted an Interactive AudioVisual Objects (IAVO) approach, which is a major contribution from these projects, consisting of the integration of sound, audio visualization and Graphical User Interface (GUI). Strengths and weaknesses detected in the projects are analysed. Generic conclusions are discussed, mainly regarding simplicity and harmony versus complexity and serendipity in audiovisual projects. Finally, paths for future development are presented.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{correia_avol_2011,

title = {AVOL – AudioVisual OnLine: Playing with Interactive Sound Visualization},

author = {Nuno N. Correia},

url = {http://www.iadisportal.org/digital-library/avol-%C2%96-audiovisual-online-playing-with-interactive-sound-visualization},

year  = {2011},

date = {2011-01-01},

urldate = {2014-06-02},

booktitle = {Proceedings of IADIS Game and Entertainment Technologies Conference 2011},

pages = {83--91},

address = {Rome},

abstract = {AVOL (AudioVisual OnLine) is an interactive audiovisual project for the Web, installation and performance by Video Jack (a collective composed of the author and André Carrilho). AVOL was one of the four winners of a competition by the Portuguese Ministry of Culture to develop artworks for their net art portal. Further to the launch of this portal, AVOL has been presented as installation and as performance. In AVOL, users manipulate seven “objects” composed of different elements: a sound loop; an animated visualization of that sound; and graphical user interface elements that facilitate the integrated manipulation of sound and image. Each of the objects has four main variations, allowing for multiple audiovisual combinations. The objects may interact with each other, creating additional diversity. The main research question that the project addresses is: how to develop a project that allows for an integrated musical and visual expression, in a way that is playful to use and engaging to experience. The methodology used for the evaluation of the project is practice-based research. In this paper, the project and its motivations are presented, as well as prior work from the same authors in the field of interactive audiovisual art. A short discussion of the state of the art follows. The development of the project and the different modes of presentation (Web, installation and performance) are discussed, as well as feedback gathered. Conclusions are then reached, and possible future developments are outlined.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}