@inproceedings{masu_full-body_2021,

title = {Full-Body Interaction in a Remote Context: Adapting a Dance Piece to a Browser-Based Installation},

author = {Raul Masu and Hanna Pajala-Assefa and Nuno N. Correia and Teresa Romão},

url = {https://doi.org/10.1145/3483529.3483747},

doi = {10.1145/3483529.3483747},

isbn = {978-1-4503-8420-9},

year  = {2021},

date = {2021-10-01},

urldate = {2022-02-23},

booktitle = {10th International Conference on Digital and Interactive Arts},

pages = {1--4},

publisher = {Association for Computing Machinery},

address = {New York, NY, USA},

series = {ARTECH 2021},

abstract = {This paper describes the process of adapting a dance piece to an interactive installation. To cope with COVID-19 restrictions, the installation runs on a browser, allowing for remote access, and is based on camera tracking of movement. We describe the adaptation of the dramaturgy, with a primary focus on translating the interaction design aspects from the performance to the browser-based installation. We invited five users to test our working prototype, and we report on their feedback. This paper offers insights on how to adapt a dance piece to an interactive browser-based installation. We also highlight the benefits of using machine learning for motion capture in this context. Finally, we identify the potential of using interaction design with sound for embodied perception.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{jurgens_designing_2020,

title = {Designing Glitch Procedures and Visualisation Workflows for Markerless Live Motion Capture of Contemporary Dance},

author = {Stephan Jürgens and Nuno N. Correia and Raul Masu},

url = {https://doi.org/10.1145/3401956.3404225},

doi = {10.1145/3401956.3404225},

isbn = {978-1-4503-7505-4},

year  = {2020},

date = {2020-07-01},

urldate = {2020-07-15},

booktitle = {Proceedings of the 7th International Conference on Movement and Computing},

pages = {1--8},

publisher = {Association for Computing Machinery},

address = {Jersey City/Virtual, NJ, USA},

series = {MOCO '20},

abstract = {This paper presents a case study in the exploration and creative usage of errors and glitches in the real-time markerless motion capture of contemporary dance. We developed a typology of MoCap failures comprised of seven categories, allowing the user to situate each distinct error in the respective stage of the motion capture pipeline. This way, glitch procedures for the creative use of 'bad' MoCap data were designed, resulting in uncommon avatar visualisations. We propose an additional 're-visualisation' module in our motion capture pipeline and avatar staging approach, which enables choreographers and digital artists to rapidly prototype their ideas in a mixed reality performance environment. Finally, we discuss how our extended MoCap pipeline and avatar staging set-up can support artists and researchers who aim at a flexible and adaptive workflow in real-time motion visualization.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{masu_designing_2020,

title = {Designing interactive sonic artefacts for dance performance: an ecological approach},

author = {Raul Masu and Nuno N. Correia and Stephan Jurgens and Jochen Feitsch and Teresa Romão},

url = {https://doi.org/10.1145/3411109.3412297},

doi = {10.1145/3411109.3412297},

isbn = {978-1-4503-7563-4},

year  = {2020},

date = {2020-09-01},

urldate = {2020-09-18},

booktitle = {Proceedings of the 15th International Conference on Audio Mostly},

pages = {122--129},

publisher = {ACM},

address = {Graz, Austria},

series = {AM '20},

abstract = {In this paper, we propose to consider the sonic interactions that occurs in a dance performance from an ecological perspective. In particular, we suggest using the conceptual models of artefact ecology and design space. As a case study, we present a work developed during a two weeks artistic residency in collaboration between a sound designer, one choreographer, and two dancers. During the residency both an interactive sound artefact based on a motion capture system, and a dance performance were developed. We present the ecology of an interactive sound artefact developed for the dance performance, with the objective to analyse how the ecology of multiple actors relate themselves to the interactive artefact.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{sen_design_2020,

title = {Design strategies for a hybrid video synthesizer},

author = {Sourya Sen and Nuno N. Correia},

url = {https://gala.gre.ac.uk/id/eprint/29460/},

year  = {2020},

date = {2020-01-01},

urldate = {2020-09-18},

booktitle = {Proceedings of Sound, Image and Interaction Design Symposium 2020},

publisher = {Sound, Image and Interaction Design Symposium},

address = {Funchal, Portugal},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{masu_vr_2020,

title = {VR Open Scores: Scores as Inspiration for VR Scenarios},

author = {Raul G. M. Masu and Paulo Bala and Muhammad Ahmad and Nuno N. Correia and Valentina Nisi and Nuno Nunes and Teresa Romão},

editor = {Romain Michon and Franziska Schroeder},

url = {https://www.nime.org/proceedings/2020/nime2020_paper21.pdf},

doi = {https://doi.org/10.5281/zenodo.4813262},

year  = {2020},

date = {2020-07-01},

booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},

pages = {109--114},

publisher = {Birmingham City University},

address = {Birmingham, UK},

note = {ISSN: 2220-4806},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{masu_arcaa_2019,

title = {ARCAA: a Framework to Analyse the Artefact Ecology in Computer Music Performance},

author = {Raul Masu and Mela Bettega and Nuno N. Correia and Teresa Romão and Fabio Morreale},

url = {https://doi.org/10.1145/3359852.3359870},

doi = {10.1145/3359852.3359870},

isbn = {978-1-4503-7250-3},

year  = {2019},

date = {2019-10-01},

urldate = {2020-02-14},

booktitle = {Proceedings of the 9th International Conference on Digital and Interactive Arts},

pages = {1--9},

publisher = {Association for Computing Machinery},

address = {Braga, Portugal},

series = {ARTECH 2019},

abstract = {This paper presents ARCAA (Actors, Role, Context, Activity, Artefacts), a framework that supports designers in understanding the artefact ecology in the music performance scenario, in particular, allowing to frame the role of the different actors. The ARCAA framework is the result of the combination of two different areas of HCI: artefact ecology concept, and design framework for digital musical instruments. The model borrows three categories from MINUET an established design framework and rethinks them from an ecological perspective. In ARCAA, these three categories are used as three lenses to connect each human actor to her artefact ecology. Finally, the framework allows comparing how the various artefacts create connections among the different people involved. The second part of the paper describes a case study that shows a practical adoption of the framework.},

keywords = {},

pubstate = {published},

tppubtype = {inproceedings}

}